Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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George Cope
The Days Bag A Ruffed Gruse and Two Bob White Quail

ID: 27468

George Cope The Days Bag A Ruffed Gruse and Two Bob White Quail
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George Cope The Days Bag A Ruffed Gruse and Two Bob White Quail


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George Cope

American, 1855-1929  Related Paintings of George Cope :. | Landscape close to the artist's house in Fouras | Le petit parc | Lady Macbeth (mk05) | Cupid with a Bow | Brood Mares and Foals |
Related Artists:
Henry Mark Anthony
(4 August 1817 - 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the en plein air style of painting to Britain.
Ferencz Franz Eisenhut
1857-1903
George Durrie
Landscape painter, Portrait Painter . American , 1820-1863 American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes, New England Winter Scene and the Farmyard in Winter.






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